The Wire, Issue 378 (August 2015)

Ashtray Navigations
Phil Todd’s slime-surfing DIY outfit were reverberating for 21 years, a relentless presence in Yorkshire’s ever-bubbling psych underground. by means of Alex Neilson

Bristol UFOs
As guitarist David Pearce returns after 15 years within the desert with a brand new Flying Saucer assault album, he and participants of Movietone, Crescent and 3rd Eye beginning inform the tale of the West Country’s cosmic opposite. through Joseph Stannard

The Primer Yorkshire Psychedelia
Frances Morgan takes a visit throughout the crucial catalogue of Ashtray Navigations and fellow seekers Vibracathedral Orchestra, Astral Social membership and more

Ornette Coleman 1930–2015
AB Spellman remembers his encounters with the past due saxophonist in manhattan within the 1960s

Invisible Jukebox Mark Perry
The ATV frontman and Sniffin’ Glue founder says “You bastard” to The Wire’s secret list choice. demonstrated through Mike Barnes

The Brooklyn rapper proves that age ain’t nothin’ yet a bunch. by way of Francis Gooding

Mikael Seifu
The Ethiopian manufacturer wages sonic struggle on globalisation. by means of Maya Kalev

Charlotte Prodger
The Glasgow established artist explores a number of temporalities through rave sonics and YouTube fetishists. through Dan Barrow

Global Ear Łódź
Confrontational tune replaces heavy within the Polish urban. by way of Jakub Bożek

The internal Sleeve
Karen Gwyer on Florence Foster Jenkins’s the honor (????) Of The Human Voice

The massed sounds of Rara bands and church bells positioned Leah Gordon in a trance

Print Run
New song books: radical Jewish track, black energy tv, Stanford’s digital breakthroughs and more

On reveal
New movies and DVDs: Floris Vanhoof’s fantastic international and Domingo Garcia-Huidobro’s haunted landscapes

On web site
Recent exhibitions: Ken Cox, Ghost within the computer song, we all Have a feeling Of Rhythm

On position
Recent gala's, gigs and golf equipment: Ornette Coleman Memorial, Arca, useless Rider, David Rosenboom, Alien Jams and more

Soundcheck A–Z

A Taut Line
Arthur’s touchdown
Author & Punisher
Blood Quartet
Allison Cameron + touch
Laura Cannell
John Chantler
Charcoal Owls
Mike Cooper
Alessandro Cortini
The Ex & Fendika
Malcolm Goldstein
Billy Jenkins
Benjamin Jeptha
The Labourer
Louise Landes Levi
Los Lichis
Natural details Society And Bitchin Bajas
Thandi Ntuli
Moritz von Oswald Trio
William Parker
Maja SK Ratkje/Jon Wesseltoft/Camille Norment/Per Gisle Galåen fifty five Omar Souleyman
Mark Springer
Matt ‘MV’ Valentine
Various dwelling In A Shadow fifty four quite a few computer song quantity 1
Seymour Wright
Yo los angeles Tengo
Michael Yonkers
Pekka Airaksinen
Anthony Braxton
John Butcher/Phil Durrant/John Russell
Alejandro Jodorowsky
Adan Jodorowsky
Karin Krog
Pere Ubu
Glen Phillips
Arturo Ruiz Del Pozo
David Shea
Various Disco 2: yet another high quality number of autonomous Disco, smooth Soul And Boogie 1976–80
Various Spritual Jazz 6: Vocals

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Extra resources for The Wire, Issue 378 (August 2015)

Example text

Sparrows, for instance, reflect different song expression and syntax, depending on the social contexts in which they find themselves. This diversity of birdsong reflects a great diversity of function. 2 Sound spectrograms representing the normal song of two bird species. Source: Watson and Breedlove: The Minds Machine: Foundations of Brain and Behavior (933–36). 1, Figure 2 (After Marler and Sherman, 1983, 1985). © Sinauer Associates, Inc. 32 Exposure to song in critical periods of a bird’s development is also a crucial factor in the range and expression of its song (for some birds).

In this chapter, I discuss how music fits into the evolution of our cognitive capabilities, and how the auditory system, larynx, motor systems, and cephalic expansion underlie the expression of music and the evolution of social contact. 6 A biological perspective is the cornerstone in understanding our capabilities, with our musi­ cal ability being just one of these, including our sense of space and time, our ability to assess probabilities (the prediction of events), our numerosity, and, of course, our language abilities.

Hearing and Vocal Expression Auditory sensibility and anatomy underlie hearing and vocaliza­ tion. 34 During musical training, various regions of the brain are re­ cruited across the range of auditory cephalic competence for tim­ ing, pitch, and timbre. 36 Language and tone of voice are early social bonds. In combina­ tion with other sensory systems pregnant with cephalic function, they form social contact for the neonate in the larger social world. Tones and song have long been noted to be important adaptive fac­ tors in the facilitation of early social attachment.

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