Style and Scale, or: Do You Have Anxiety?: A Conversation by Ken Adam, Katharina Fritsch, Hans Ulrich Obrist, Bice

By Ken Adam, Katharina Fritsch, Hans Ulrich Obrist, Bice Curiger

Der neue Band aus der Reihe artwork and structure in dialogue" präsentiert den Architekten Ken Adam und die Künstlerin Katharina Fritsch im Gespräch mit Kuratoren. Ken Adams geniale Setdesigns für die frühen Bondfilme sind legendär. Ebenso einprägsam sind Katharina Fritschs enigmatische Skulpturen, die kollektive Ängste thematisieren. Fritschs und Adams Bildfindungen weisen erstaunliche formale Parallelen auf. Im Gespräch werden viele weitere unerwartete Verbindungen zwischen der Künstlerin und dem fashion designer deutlich.

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Additional info for Style and Scale, or: Do You Have Anxiety?: A Conversation with Ken Adam, Katharina Fritsch, and Hans Ulrich Obrist. Moderated by Bice Curiger

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Es ist eine durchscheinende Tusche. Sie war fantastisch für mich, weil ich über die Kontrolle der Strichdichte einen Stil entwickelt habe. Das war unwahrscheinlich wichtig, weil es mich von meinen Hemmungen befreite – ich stamme aus einer gut betuchten deutschen Familie der oberen Mittelschicht und mein erster künstlerischer Gehversuch war das Bild eines Hirsches. “ Das machte mich fertig. Also begann ich mehr zu 58 doing these big sketches 55 years ago. Labouring over every line. She used to take my little scribbles out of the wastepaper basket.

You can’t tell ahead of time. It’s not like a painting; you can’t continue where you left off the evening before. Bice Curiger Ken Adam You could have taken photographs. I didn’t. I made a model in my studio. I didn’t have any money at all at the time. The room was unheated. I made a table with the tablecloth and this one figure out of wax sitting at the table. I thought it might work, so I just did it. I had only two months. I made it in time but it was a nightmare. Katharina Fritsch Ken Adam The existing building had a parquet floor?

The roof was silver and the outer walls were golden, a little bit like expressionistic or futurist architecture, or some kind of exotic architecture. Cristina Bechtler Or Castell del Monte. We have the octagon and the pentagon … So you design films and you make fine art and the fascinating thing is that you both venture into architecture; you’re even mentioned in books on architecture. Hans Ulrich Obrist We live in a visual era; images penetrate our lives. I think both of you have the genius of treating images like tools that generate immediacy; we respond immediately before the intellect has a chance to come into play.

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