Crochet Embellishments (Leisure Arts #4419) by Jean Leinhauser, Leisure Arts

By Jean Leinhauser, Leisure Arts

The e-book each crocheter has been inquiring for -- a whole selection of crocheted elaborations which are bound to upload a unique contact to crocheted or knitted tasks. right here you will find a large choice of colourful borders and ornamental bands, dimensional plant life from life-like roses to dainty daisies, stylish tassels, fascinating beads, all kinds of fringes, flexible cords and braids, ruffles and curls, and masses extra. Easy-to-follow directions and approximately life-size photographs of every piece make this e-book through Jean Leinhauser a vintage for each needleworker's library.

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Additional resources for Crochet Embellishments (Leisure Arts #4419)

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Trim and press. 2 Embellish as desired (optional). Press well from both sides after embellishment. 3 Trim these two pieces down to 8" x 131⁄2". Pin novelty trim(s) along one 131⁄2" edge of each quilted piece. Machine baste close to raw edge. This is the top of pocket. Apply snap to one pocket only: Center male side of magnetic snap (see page 50) 11⁄4" below top edge of outer pocket lining (top edge is 131⁄2" wide). Use small piece of interfacing on inside to secure. Pin outer pocket lining right sides together to same edge with novelty trim.

5 bottom of the purse between lining strip and outer Join quilted pieces to outer center strip. Start pin- edge foot. ning at the bottom center, matching marks on the center strip. Clip strip to fit around corners. Sew front and back panels to center strip. More about “Myrt” IT’S IS ANOTHER VERSION OF THE MODIFIED MYRT. SIMILAR TO THE ONE IN THIS CHAPTER, EXCEPT THAT CUT AND HEMMED TWO SILK PIECES ABOUT 15" 9" WIDE BY LONG, AND SEWED ONE ACROSS THE TOP FRONT OF THE BAG AND ONE ACROSS THE TOP BACK OF THE BAG.

For purposes of clarity, “couching” is what I do in the afternoon when I Crazy Quilting with attitude leave my studio and spend time with my dogs; we like to nap on the couch together. ) BRAID WITH TA S S E L Robin Parker, my local Bernina dealer, taught me much of what I discuss in this chapter. One day when I went into her shop, Robin had a little extra time. She offered to show me something fun. ” Do this technique away from the edges of your work to avoid catching the braid in the seam allowance.

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