Creative Watercolor by Jose Maria Parramon

By Jose Maria Parramon

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Not everyone can visit at museums and exwho positions so easily, especially those live far from big cities. But everyone has books and reproductions The works are always availaand many of the works in ing books. ble for study, books are difficult for the general the possibility of acquiring books with lic quality reproductions of paintings. Try private collections or in books of a large format (such or 22x28 cm) whose as 8I/2XII reproductions are big enough so that you can see and study the works reproduced.

69); and the tablecloth is and agile strokes, terpreted with thick Fig. 69. mat of The oblong Plana's first for- water- color favors a horizontal composition. The artist has cropped the motif in a way that will place the fundamental masses in the top part of the paper. Fig. 70. The lightness of the stains in the final product is characteristic of the painter's style. 40 in- us- HOW TO DEVELOP ing a transparent, subtle gray that enriches the monotony of the white The composition watercolor has been cropped from a toFig.

Ing the problems of composition. It has been proven through experiments that a geometric form appears more attractive than an irregular one. What the artist must have in mind is that it is necessary to find the geometry in the 63A 63 65A Figs. 65 and 65A. Vicenc Landscape af- Ballestar, ter the Rainfall. Private collection, Barcelona. This compositional scheme exaggerates the perspective, and the forms are ordered according to the lines of the bend in the road. 38 m HOW TO DEVELOP . . When we speak of masses, we are referring to the zones of light and shade that an abstraction of the details, that make up the picture's whole.

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