Arts and Culture in the Metropolis: Strategies for by Kevin F. McCarthy

By Kevin F. McCarthy

The nonprofit arts at present face an atmosphere that demanding situations the way in which they've got grown and increases the chance of destiny consolidation. The authors specialize in the connection one of the parts of neighborhood groups' arts ecology and strengthen a brand new framework for comparing platforms of help to the humanities. They then use this framework to evaluate the strengths and weaknesses of Philadelphia1s arts quarter.

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Or nonprofit arts organizations might adopt a more businesslike approach by focusing more on the cost than the revenue side of the ledger. , by creating economies of scale in space, equipment, purchasing, marketing, and benefits. , Clear Channel’s “King Tut” exhibit or the for-profit Nomadic Museum’s “Ashes and Snow” exhibit). 11 Without a new funding strategy, the growth of the past few decades may no longer continue. Instead, the arts sector may now be facing a new period of consolidation. And, if consolidation rather than growth is the likely future pattern, how will that affect our understanding of a healthy local arts ecology?

Nonprofit status also created an 5 Prior to 1965, only four states operated funding agencies, but by 1980 all states had established state arts agencies. These, in turn, led to the founding of over 3,000 local arts councils, many of which were units of local government. The majority of them were formed as nonprofit organizations, often with links to local governments (Kreidler, 1996). 6 Canon organizations focus on promoting the canons of specific disciplines; creativity organizations focus on creating new art and training artists; and community organizations use the arts as a vehicle for promoting specific communities.

We now focus on arts-presenting organizations because they are the principal point of contact between the arts and the public. 4 About 60 percent of the theaters in these regions are nonprofit and 40 percent are for-profit. 5 This comparison and those that follow are based on data from Internal Revenue Service Form 990s (tax returns for organizations exempt from federal income tax). 6 We refer to these organizations as arts-presenting organizations in the sense that they are directly involved in presenting the arts to the public.

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