Art and Cultural Policy in China: A Conversation between Ai by Ai Weiwei, Yung Ho Chang, Uli Sigg, Peter Pakesch

By Ai Weiwei, Yung Ho Chang, Uli Sigg, Peter Pakesch

Chinas Kultur ist in Bewegung. Sie steht in regem Austausch mit der globalen Kunstwelt. In dem Buch diskutieren der Künstler Ai Weiwei und der Architekt Yung Ho Chang mit dem Sammler Uli Sigg und dem Intendanten des Landesmuseums Joanneum, Peter Pakesch, über die Hintergründe und Auswirkungen dieses rasanten Wandels sowie über das Verhältnis von Kunst und Architektur zu Politik und Medien. Beide Künstler verkörpern eine neue new release von Kreativen in China, die ihre künstlerischen Wurzeln sowohl in ihrer Heimat wie im Ausland hat.

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Extra resources for Art and Cultural Policy in China: A Conversation between Ai Weiwei, Uli Sigg and Yung Ho Chang, moderated by Peter Pakesch

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They don’t see the architecture as part of urban development or how the people are going to use it or in what way it will serve the area. All you get is stupid questions. Peter Pakesch This also means there is no qualified public discourse or debate on architecture. Ai Weiwei Und der Ausgang hängt davon ab, wer in der Jury sitzt. Meistens sind die Jurymitglieder Chinesen, also das Ergebnis eine Katastrophe. Man kann die besten Architekten einladen, doch es funktioniert nicht, wenn die Jury nicht versteht, worum es geht.

Also erklärt die Zentralregierung Kreativität zum Parteiziel für die nächsten fünf Jahre. Dann erhält jeder, der für Kreativität steht, seinen Anteil am Profit, das heißt, er erhält grünes Licht – und muss keine Steuern bezahlen, weil es der Politik der Zentralregierung entspricht. Manche Richtlinien bleiben zehn Jahre lang in Kraft und keiner fragt danach, wie sie zustande kamen oder ob sie sinnvoll sind. Uli Sigg Aber, Yung Ho, hast du nicht etwa zwanzig Museen im Rahmen einer Überbauung in Szechuan erstellt?

43 to that idea. And then it became an uncontrolled situation; the authorities try to keep things under control but it’s very problematic. So private ownership does exist; you can hire architects like Yung Ho and you can build something and make the decisions if you put up the money. So there is a certain freedom, and the space for it is growing. Yung Ho Chang And in the past ten years, the media have become very powerful. On one hand they’re probably apolitical when it comes to the kind of space you’re talking about, but on the other hand they have created a lot of space for voices in the arts.

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